Matilde Sacchi

Mid-Century Tablescape in Orange. Oil on Canvas on Board.

1969

Late 20th Century oil on board still life of fruit and flowers in an interior by Bill Brown. The painting is signed and dated bottom right and titled and re...

Mid Century Italian still life tablescape by Italian artist Fulvio Pendini. The painting is signed bottom right and is presented in a period gilt wood and cloth frame under glass. Th...

Mid-Century French still life of roses in a vase, oil on canvas by Marseille artist Henri Reboa. The work is signed bottom right and is presented in a gilt...

Sunflowers. Contemporary botanical mixed-media, decoupage, oil and acrylic on board by Dutch artist Menno Modderman, signed and dated 2022 to the bott...

Large scale mid 20th Century French, oil on board, still life, tablescape, interior view, by Claude Barthélémy. Signed bottom left, presented in fine carved wood and gilt frame, with...

French post modern oil on board of a tablescape, tulips, carafe and three fruits. Signed Henri Chapignue and dated 1975. An arresting and highly energ...

Still Life is an artwork realized by an unknown artist in the late 19th Century. Oil on Canvas Mounted on Board. 18 x 13 cm. Good conditions

Still Life is an artwork realized by an unknonwn artist in the late 19th Century. Oil on Board. 21 x 15 cm. Good conditions

Flowers in a Vase, oil on canvas on cardboard, 71.5x55.5 cm Fridrihs Milts (1906.21.XII – 1993.5.XI) Fridrihs Milts graduated studio of Figurative painting (under the guidance of G. Eliass) in Latvia Art academy (1932). He took part in exhibitions of association “Zala varna” (since 1929). Artist also took part in exhibitions of Culture Foundation. Self-exhibition was made in Riga (1943) and the rest ten exhibitions were made when artist lived in exile. In 1950 – 60th F. Milts took part in exhibitions of group “Cetru grupa”. In 1960 he got prize from Culture Foundation of North American Latvians. Artist was a leader of New York Latvian...

Bold and angular composition with cannas by Claire Weist (American, 1930-2014). Bright red flowers jump out from a saturated green background. Large leaves act as a background, covering the majority of the composition, intertwined with other foliage. This piece is executed on top of a previous composition and the artist has left part of it visible around the edges to act as a border. Signed "Weist" in the lower left corner. Title and artist's info on verso. No frame. Board size: 20"H x 16"W Claire Weist (American, 1930-2014) was an artist known primarily for her watercolor compositions. She won several awards throughout her career, including the jury award for graphics from the Illinois Watercolor Society. Weist was originally from the Boston area and studied at the Massachusetts College of Art and then Harvard. After spending time teaching art and as an illustrator, Weist moved to Crete, Illinois and opened her own studio, where she spent the remainder of her professional career. Education: 1949-50 Lomma, Sweden 1951, Massachusetts College of Art, Boston, MA 1953, B.F.A. Degree, Harvard University, Cambridge, MA Work: 1953, Commercial Artist, Vincent Edwards Art Agency, Boston, MA 1954-1957, Art Editor and Illustrator, Baby Post Magazine, New York, NY 1960-1964, Painter and Art Teacher, Lynchburg, VA 1965-1971, Book and Magazine Illustrator, Delafield, WI 1972, Studio, Crete, IL Exhibitions and Memberships: 1971 - Alverno Art Fair, Milwaukee, WI 1971 - Elmwood Plaza Art Fair (Best in Show), Racine WI 1971 - Brookfield Square Winter Art Show (First Place, Watercolors), Waukesha, WI 1973 - Marathon County Historical Museum, Wausau, WI 1982 - Park Forest Art Fair, Park Forest, IL Member, Wisconsin Watercolor Society Member, Kettle Moraine...

A most attractive and striking image of daffodils placed against a darker background Howard J Morgan (1949-2020) Daffodils in a china jug Signed and S...

Regina Mundlak was born in a village near Lomza (NE Poland), into a poor Jewish family. In 1901 she went to Berlin to find work, together with her mother and sister, a highly talented violinist. Her extraordinary talent rapidly brought her to the attention of the Jewish artistic milieu. Her work so impressed Max Liebermann (1847–1935) that he decided to finance her education. However, even with his help, she had difficulty in making a living. Efraim Moses Lilien (1874–1925), who did not conceal his fascination with her talent, tried to help by publishing an open letter in Ost und West in 1902, appealing for support for her, but because of financial problems she finally had to give up her studies and return to her homeland. At the age of fifteen she was already very skilled in drawing. At first she primarily created realistic portrait studies. The works she published in 1902 showed her rare power of observation. Her pen-and-ink drawings were also greatly admired. As her subjects she most often chose characteristic Jewish types from Eastern Europe. She exhibited her works in Warsaw at the (Society for Promotion of Fine Arts) in 1902 and in 1903 and at the Aleksander Krywult Salon in 1903. In 1906, once again in Berlin, she exhibited her works at the Cassirer Salon. A review of this exhibition by Hermann Struck appeared in Ost und West. Like Lilien before him, he too wrote about her “phenomenal talent.” On the occasion of her exhibition, some of her drawings were reproduced in Ost und West. The development of her creative abilities in the years between Lilien’s letter and Struck’s review is noticeable. Drawings published in 1901 were portraits; compared to later works they evidence a skilful but still somewhat uncertain hand. The works created a few years later were characterized by a stronger and surer line. These works are also more developed: while the subject of her works remained the same, she now extended her interest in portraiture to the shape of the entire human body, presenting the figures in more elaborate environments. Looking at the reproductions, one might conclude that she was interested in nothing but Jewish life in the Diaspora. There is a propensity to show the faces of older people...